Everything about Clyde Mcphatter totally explained
Clyde McPhatter (
November 15,
1932,
Durham, North Carolina –
June 13,
1972) was an influential
Afro American R&B singer.
Life and career
McPhatter was raised in a religious
Baptist family, and formed a
gospel group in
1945 after his family moved to
New Jersey. They soon relocated to
New York City, and McPhatter joined the Mount Lebanon Singers, a popular gospel group.
In
1950, McPhatter joined
Billy Ward & the Dominoes, and was present for the recording of "
Sixty Minute Man" for
Federal Records and produced by
Ralph Bass, which was a huge hit in
1951, and was one of the earliest
rock and roll records. After several more hits, including "
Have Mercy Baby", McPhatter quit the group in
1953 because he made little money and gained virtually no fame, in spite of his voice being the lead on most of the group's songs. McPhatter then signed to
Atlantic Records after forming a group,
The Drifters. "
Money Honey", "Such a Night", "
Honey Love", "
White Christmas" and "Whatcha Gonna Do" became huge
hits.
In
1954, McPhatter was
drafted but was assigned in the
U.S., allowing him to continue recording. He soon left
The Drifters and launched a solo career. His first solo hit occurred just after being
discharged - "Love Has Joined Us Together" (with
Ruth Brown). He released several R&B hits in the next few years, but made only one serious dent in the pop charts, with the
Brook Benton-penned song "A Lover's Question", which made it to #6 in 1958. White groups usually
covered his best compositions and achieved more widespread
mainstream success. In spite of this, McPhatter became one of the most popular black musicians among white listeners. His
1956 recording "Treasure of Love" saw him enjoy his first solo #1 on the R&B charts and one week in the
UK singles chart. The lack of any subsequent entry gave him the unenviable tag there of being a
one hit wonder
McPhatter soon signed to
MGM Records, and released several more hits. "I Told Myself a Lie" and "Think Me a Kiss" (
1960) became minor pop hits, as was "Ta Ta", his first single for
Mercury Records. "I Never Knew" and "Lover Please" (
1962) became even bigger pop hits, but his career started suffering due to his
alcoholism. Other black artists were following McPhatter's blueprint into pop audiences, including Rudy Lewis,
Johnny Moore,
Sam Cooke, and an all-new lineup of
The Drifters. McPhatter's unreliability kept him from maintaining his career in the face of this competition. As the
1960s wore on, McPhatter's career kept falling in spite of a few minor hits.
In the late
1960s, McPhatter spent some time living in
England, where he still had a significant audience, but this was short-lived. Back again in
America, Clyde McPhatter died of complications of
heart, liver, and
kidney disease, and was buried at
George Washington Memorial Park in
Paramus, New Jersey.
Legacy and honors
In
1987 was
posthumously inducted into the
Rock and Roll Hall of Fame.
The
Rockabilly Hall of Fame recognized his pioneering efforts.
The Original Drifters were inducted in the
Vocal Group Hall of Fame in
1998.
The
United States Postal Service issued a stamp in his honor in
1993.
The song "
Money Honey" (
1953) was inducted in the
Grammy Hall of Fame in
1999.
Singles
| Title |
Peak Pop Billboard ranking |
Peak R&B Billboard ranking |
Year |
Label |
| Love Has Joined Us Together /I Gotta Have You (with Ruth Brown) |
- |
8 |
1955 |
Atlantic |
| Seven Days |
44 |
2 |
1956 |
Atlantic |
| Treasure of Love |
16 |
1 |
|
Atlantic |
| Without Love (There Is Nothing) |
19 |
4 |
1957 |
|
| Just To Hold My Hand |
26 |
6 |
|
|
| Thirty Days |
- |
- |
|
|
| Long Lonely Nights |
49 |
1 |
|
|
| Rock and Cry |
93 |
- |
|
|
| Come What May |
43 |
3 |
1958 |
|
| A Lover's Question |
6 |
1 |
1958 |
|
| Lovey Dovey |
49 |
12 |
1959 |
Atlantic |
| I Told Myself a Lie |
70 |
|
1959 |
MGM |
| Since You've Been Gone |
39 |
14 |
1959 |
Atlantic |
| Twice As Nice |
91 |
|
1959 |
MGM |
| You Went Back On Your Word |
72 |
13 |
1959 |
Atlantic |
| Let's Try Again |
48 |
13 |
1959 |
MGM |
| Just Give Me a Ring |
96 |
|
1960 |
Atlantic |
| Deep Sea Ball / Let the Boogie-Woogie Roll |
- |
- |
|
Atlantic |
| Think Me a Kiss |
66 |
|
1960 |
MGM |
| Ta Ta (Just Like a Baby) |
23 |
7 |
1960 |
Mercury |
| This Is Not Goodbye / One Right After Another |
- |
- |
1960 |
MGM |
| Tomorrow Is a-Comin |
103 |
- |
1961 |
Mercury |
| I'll Love You Til the Cows Come Home |
110 |
- |
|
|
| A Whole Heap Of Love |
- |
- |
|
|
| I Never Knew |
56 |
17 |
1961 |
|
| Same Time Same Place |
- |
- |
1961 |
|
| Lover Please |
7 |
- |
1962 |
|
| Little Bitty Pretty One |
25 |
- |
1962 |
|
| Maybe / I Do Believe |
- |
- |
|
|
| The Best Man Cried |
118 |
- |
|
|
| From One To One |
127 |
- |
1963 |
|
| Deep In the Heart of Harlem |
90 |
90 |
1963 |
|
| Second Window, Second Floor |
- |
- |
1964 |
|
| Baby Baby / Lucille |
- |
- |
1964 |
|
| Crying Won't Help You Now |
117 |
22 |
1965 |
|
| A Shot Of Rhythm and Blues / I'm Not Going To Work Today |
- |
- |
1966 |
Amy |
| Sweet and Innocent / Lavender Lace |
- |
- |
1967 |
Amy |
| Baby You Got It |
- |
- |
1968 |
Deram |
| I'll Belong To You /Book Of Memories |
- |
- |
1970 |
Decca |
| Why Can't We Get Together / Mixed Up Cup |
- |
- |
1970 |
Decca |
No album he recorded ever appeared on the charts, even though all sold fairly well, because there were fewer chart positions in his day than now.
Music sample
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